Archive for April, 2015

When multiple people part of that is always a challenge. Let’s start with the reality that not everyone is going to enjoy all plots at all times. If you can’t handle people complaining about your story – whether to your face or behind your back – and being difficult. If you are running a plot for more than a very small handful of people with whom you have previous experience (as a storyteller) you are going to be the brunt of whining and foot kicking.

If that hasn’t deterred you, then keep reading.

Large scale roleplay as a group organizer is challenging, exhausting, and often thankless. However, it is a unique experience I would encourage veteran roleplayers to tackle if you want to push your storytelling abilities to the next level. Running a large plot requires a few skills you will want to polish up before you try running a large event. These skills are:

  • Reading quickly
  • Thinking on your feet
  • Handling complaints and OOC stress and confusion
  • Delegation
  • Creating interactive stories
  • Including players of multiple types

I’m going to go through this list a piece at a time. While I can’t make you able to do these things, I can at least give you some headway. Let’s start with the first item on the list.

Reading quickly is an important thing for the administrator of a plot to know. If you are running a large event you will have a lot of posts to react to coming at varying lengths and times. You will also likely be handling private messages from the people helping you run this plot and from players in the plot itself with questions, complaints, and probably idle conversation because the fact that you’re running a plot won’t make a difference to them. While you can tell the people who just want to engage in idle chatter that you’re busy, the rest of it bears your attention.

During the process of running your plot you will be the focus of many questions, complaints, and confusion. If there is combat happening you will face frustrated players whose attacks haven’t worked or why their character isn’t the star of the situation. There are many frustrations and stresses that come with handling a large-scale plot.

This brings me to the next point on the list: you have to think on your feet. Players will do and ask things that take your carefully-laid plans and turn them inside out while you watch. That means you’re going to need to be able to make adjustments on the fly. Your plot doesn’t have to fall apart at the first test, and you need to know what you’re going to do if players throw a monkey wrench into things. And they will throw a monkey wrench into things. That’s an inevitability you need to be prepared for. The answer to this is the next point.

Delegation. In order to be successful at running a plot of the magnitude I am describing, you are going to need help. This help doesn’t necessarily have to be in the form of other administrators running your plot – it can also be players you know who will help guide others down your paths or ride herd. They can be in IC positions of leadership or power (generals, kings, business owners, etc.) or even handle NPC antagonists (so you don’t have to do all the work yourself). Don’t try and do everything alone; you’re not going to be able to.

So that leaves you with the story. The biggest mistake I’ve seen in storytelling is when large plots don’t let people interact with them. It is vital to your story that you make players able to affect the plot. They need to know that their actions matter. If the plot would play out without their involvement then players have no incentive to be involved. They can sit back and watch. This is a vital step in storytelling. Do not leave your players out of the story. Even if your story has to adjust for their involvement, you must give them the feeling of purpose. Of change. Now, if you know your players well enough you should be able to plan for their decisions. But let them at least feel like they had an impact.

Finally, you need to be able look at your story and plan for multiple types of players. If you write a story that only involves one flavor of player then you exclude all other flavors. That’s no fun for the players of the excluded characters. You should have possible avenues for all styles of play. Sneaky, social, combat, magical, mundane. These are all things you need to consider when crafting your story. Providing a place for everyone means you will maximize player involvement and, in doing so maximize player enjoyment.

While this post doesn’t cover everything that could happen while running a plot, but these are – over my last seventeen or more years of roleplay – some of the things I have learned running plots for fifty or more people at a time. It isn’t easy, and if you walk into it thinking it is you are going to be met with disappointed and frustrated players. And you probably won’t be feeling amazing, yourself. Now, I don’t intend to dissuade you, but if you’re going to do this you need to know what you’re up for.

The best way to prepare for running a plot this size is get used to storytelling. Really know your story, but don’t marry yourself to all the details, since many of them are going to change as you run your players through the story. Write yourself an outline of the important points and keep your friends apprised of changes as much as possible. Communicate with them  and with your players. Most of all – have fun. If you aren’t having fun then they aren’t having fun.


In free-form roleplay player consent is one of the most important factors in ensuring that all players enjoy themselves and are not forced into places they do not wish to be. Many people scorn those who require consent for things happening to their characters, and others require consent to be obtained for everything. While there is no “right” or “wrong” way to play in that regard, there are some considerations to be had.

Consent boils down to what type of play the player is willing to engage in. Many players have these lists of consent available in a character description or website, but if you are unsure it is always wiser to ask. Most players require that you gain their explicit consent for sexual roleplay, character death, or serious injury (debilitating). Also, if engaging in sexual roleplay, there are often acts that require player consent, and those should be discussed between the players before participating in a scene.

Now, in many communities out there, there are certain sects of players who look down on folks who require consent be explicitly given for character death or sexual acts. They consider themselves “no-consent” players. While there is nothing wrong with this style of play, if you enjoy it, it does not make you a better roleplayer than someone who prefers to have consent requested of them for such actions. The opposite is also true – some consent players look down on folks who are no-consent and consider them brutish.

There is no style of play that is “better” or “worse” – they are merely different.

That said, there are people who misuse and abuse consent, so I’m going to address the different ways consent could be abused and why it is, in fact, abuse.

The first kind of abuse I want to mention is when you are playing in a community that has IC laws with IC consequences. If you have committed a crime “refusing consent” to reasonable punishment is an abuse of consent altogether. Consent is not a “get out of jail free card” – it is designed to prevent you from having to play things that would be against your personal morality or comfort. If receiving reasonable IC punishment for IC actions is that troublesome for you then you should reconsider acting in a way that would find you on the wrong side of the IC laws. It isn’t fair to expect people to overlook your illegal activities simply because you don’t like the consequences. This, of course, assumes the consequences are fair and reasonable.

Secondly, the use of consent to avoid taking any kind of injury while in combat is also an abuse of consent. While you should not be forced to take injury that would permanently maim or cripple your character, you cannot engage in combat without being willing to take appropriate injury. If you do not want your character to take injury of any kind you should not engage in combat. However, if you do engage in combat it isn’t fair to the other participant if you are unwilling to accept the responsibility of taking hits when you should take them.

If you are sensing a theme then you’d be correct. While those are the two examples of the abuse of consent that stick out the most in my head, they are not the only ways consent may be abused. The crux of the issue is that consent should never be used to avoid consequences of your actions. To do so is to disrespect the people you are playing with and be dishonest.

Personally, I use consent in a few, specific situations and find that this type of consent is the type most people employ.

  • Character death
  • Sexual situations
  • Maiming (limb removal, crippling, blindness)
  • Kidnapping or prolonged incarceration

In sexual roleplay consent also carries the dimension of what sexual acts characters or players are comfortable acting out. Everyone’s desires are a little different, so it is best to establish ground rules (just like you would in real life) before engaging in that style of roleplay with any partner. Communication is key, and establishing what all parties in the scene would like to be part of is going to make your roleplay more fun and prevent unnecessary OOC drama.

Mary Sues / Marty Stus

Like any type of writing, RP has many cliches that you will encounter the longer you do it. The most common is the “Mary Sue” (female) or “Marty Stu” (male). These are characters who are idealized versions of themselves. They are the best at everything and all around super special snowflakes who often represent person the author wishes they could be. We all want to be super beautiful, super intelligent, and super powerful in all ways. It’d be great if we were because then we wouldn’t have to face all our mundane problems, right?


While RP is a form of escapism, we should not be looking at it as a way to accomplish straightforward wish-fulfillment at all times. That makes it boring for your partner(s) and leaves your character no room to grow. The reason a Mary Sue is so reviled, other than the fact that they are cliché and frustrating to deal with, is that they must be the center of the story. This presents a problem because, from every player’s viewpoint, their character will always be the main character in their story. If everyone in the room is “the best” then there is going to be argument about who is the better best and the bestest better best and… You can see where this is going.

Another problem with Mary Sues is that they have nowhere to grow. If they are all perfect and poised at all times without flaws of any kind other than “too nice” or “too sexy” then what possible story could they have to develop them? They have no flaws. Think of it this way: if you watched a movie about a man having a perfect day with no conflict and no negativity and no difficulty whatsoever would you enjoy the movie? I’m going to guess the answer to that question is no. The heart and soul of a good story is conflict. Without conflict – internal and external – you are not going to be able to build your character, and the goal of any good storyteller is to develop and build the characters in the story.

Character flaws should also be real. If I were to be honest about myself and really listed my flaws there would be a pretty significant list. I challenge you to do the same. Everyone has flaws and shortcomings. And those flaws aren’t that we are “too nice” and “too sexy” and “too pretty”. Those flaws are things like being cowards, being jealous, being depressed, being broken. We all have problems. And that is okay. We aren’t perfect, and if we are going to create characters who will be compelling for others we need to create characters just as broken as we are.

The reason for this isn’t just because realism is important and having disadvantages is often more important than having advantages. The point of playing a character, or writing about that character, is to have them grow. If you look at most fantasy epics (or sci-fi, even), you will note that the main character often comes from humble beginnings.

  • The farm boy who gets swept into a great adventure (Luke Skywalker; Star Wars)
  • The man living quietly who is forced to leave his comfort zone (Bilbo Baggins; The Hobbit)
  • An abused boy whose life is turned around when his true nature is revealed to him (Harry Potter; Harry Potter Series)
  • A young native boy whose destiny calls him on a great quest (Atreyu; The Neverending Story)
  • The school boy who was bitten by an insect in a chance encounter and developed powers (Peter Parker; Spider-Man)
  • A young woman whose father is called to war, and she takes his place and becomes a general (Fa Mulan; Mulan)
  • Two young girls and their brothers who stumble into a magical world and end up as kings and queens. (Lucy, Susan, Edmund, and Peter Pevensey; The Chronicles of Narnia)

Are you seeing a trend? Now, your character can start out a prince/princess or whatever you want, but these characters develop over these stories. They don’t start out perfect and become more than they were when they left home. Developing is the key. If your character starts out at the top with nowhere to go then you will get bored of playing them, and others will be bored playing with you.

Another important fact of having imperfections in your character is it allows other characters opportunities to shine. Roleplay is a cooperative story. You cannot be the hero all the time, and your weaknesses give other people the chance to show their strengths.

For example, I have a character who is an extremely powerful combat character almost to the point of being over-powered for general play. In balance, I have her ignorant about everything but combat. She cannot cook, she cannot hunt, she cannot read or write, and she cannot fend for herself well. While in combat she shines and is capable of doing extreme amounts of damage, but in daily life she needs someone else to help her guide her way. She is awkward in social situations and unskilled in handling interpersonal conflict and struggle. In short – anywhere but the battlefield she is crippled and must depend upon other characters’ help. Her character development has been centered around learning to be a person.

Part of the fun of roleplay is developing your character and helping them grow over the course of their story. If you make a character with no room you are not only going to frustrate those around you, you are going to lose out on one of the best parts of writing. Don’t write yourself into a perfect little box – come out and play!